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The stories were written down by my co-author Brendan Boyd, but I've chosen to make them my own. One thing I learned at the track was people like you far better when your stories turn out badly than when you succeed. She cashed in her bet and walked away clean with .40. But I learned that going into the world with a camera in hand was a lot more fun than retreating to the library with books in hand.

For instance, there's the one about my horse and my date's horse fighting it out in deep stretch, my horse in a close but comfortable lead. Here's comes my date's horse in a rush, just catching my nag at the wire. My 30-1 shot and 0 win ticket would have netted me 00 had her horse not stuck his nose in front. The air was healthier—and I got a lot more dates that way.

I fitted my trusty Canon EOS-1V with the fastest lenses I could, including a 50mm f/1 and an 85mm f/1.2, and usually used Fujipan 1600, to capture light in the dimmest possible spots.Eugene Smith and David Douglas Duncan to photographers pursuing a personal point of view, such as Robert Frank and Lisette Model. One other great influence for me was my teacher at Rhode Island School of Design, Harry Callahan.Harry encouraged me to “shoot what you love,” and to pay no attention to what others are doing.”Amaze me,” he is reported to have said time after time, and the photographers who succeeded fell into no one niche.Brodovitch’s stable ranged from fashion legends Richard Avedon and Irving Penn to photojournalists W.

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